Amazing Spider-man

Posted by admin On August - 12 - 2012

A Beautiful Mind: Andrew Garfield is Peter Parker, a troubled young genius trying to do right during a difficult time in his life.

In the repetitious competitive theme of superhero orphans, the 2nd most renown has to be Peter Parker but it’s only in the Amazing Spider-man do we have a definitive sense of what kind of stock he came from. Most people on the planet know the story of how Spider-man’s unique talents emerged but few know the story about his parents. Director of 500 Days of Summer Marc Webb explored extensively the psyche of Peter Parker to answer the questions concerning where his inquisitive/instinctive scientific mind was derived from, how his emotional attachment and sarcasm was expressed by his internalized expression of anger. Director Marc Webb gave us insight into the young man behind the mask and Spider-man is an after thought until the last third of the film.

 

Actor Andrew Garfield was the latest actor who wore the Spider-man mask. His Peter Parker was more of a sullen, downtrodden young Travis Bickle until his love interest Gwen Stacy played by Emma Stone channeled the complexity of a Marc Webb script that relied heavily on awkward situations, subtle body language, and timing. Their chemistry in the second act epitomized the strengths of Webb’s talents that being young love.

 

The flaws of the film began to cascade once Garfield suited up in the third act to battle the lizard. The leaping transition from a self centered angst ridden teenager bent on revenge to selfless humanitarian outlaw, risking his life wasn’t as secure a grasp for Webb. The Lizard’s clunky plot didn’t make a lick of sense especially after he left Oscorp to set up an open lab in the NY sewer. Webb tried to flex that super hero/NY urban myth camp in that scene but it came off as tacked on. Peter’s compelling need to be the better man was  implied expression of the infamous “With Great power comes great responsibility” line. What was distilled from the equation was the fun of being Spider-man. The swinging became monotonous. Every scene seemed mandatory to get to the end.

 

By the end, The Amazing Spider-man was an improvement over its Raimi predecessor as a Peter Parker origin not as a Spider-man origin. That will hopefully elicit itself in the second film where we’ll finally find out what the Oscorp minion in the limo was going to tell a dying Norman Osborn.

 

The Amazing Spider-man rates a pint of dark beer that isn’t guzzled but rather nursed along in intervals.

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