The Green Hornet

Posted by ron On May - 18 - 2011

Rogen plays his hand in the Super Hero biz. Unfortunately, it had less to do with crime fighting and more to do with hanging out.

In yet another tale of a bratty rich kid who was manipulated into reaching outside of himself to do some good, the Green Hornet was writer/actor Seth Rogen’s nostalgic tongue in cheek bromance to super heroes. Every super hero is a product of its time and the Green Hornet might be one of those heroes. While Gondry did a solid job updating the psychedelic look and massaging the awkward elements such as a minority manservant, it’s still set in Seth Rogen’s mind of naive LA suburb where drug lords are operating out of strip malls without an illegal Mexican or Asian in sight. It’s clear, Rogen was influenced by the 60s TV show of the Green Hornet but he took Britt to the low brow level of a dense buffoon. Britt never bothered to ask Kato why he’s rigging muscle cars with weaponry or what exactly he was doing for his father. Instead, he throws more money at Kato taking his word that he’s not a Korean drug lord using his dad’s money and company to fund his operation. Obviously all Asians including this writer are truthful and trustworthy right?

Let’s assume that Kato checks out. The bromance was 20 minutes too long with repetitious cool looking gadgets, bonding over beers, and jealously over fighting skills when it should have been spent on building up the nemesis for the Green Hornet, Christoph Waltz’s Bloodnofsky. Waltz did his best to work as a suave gangster without a cool nickname, reputation, or costume but his efforts are wasted. The plot was so shallow, there’s no rhyme or reason why his villainous character was doing what he’s doing.

The challenge of super hero films today caters towards motivations that have to be plausible enough for such an extreme or fantastical execution of a theatrical story. There’s very little to the Green Hornet that would require a pampered clown to get his hands dirty when he could have easily funded someone more competent to take care of the situation. Plot holes the size of the San Fernando Valley made the elaborate shoot out at Britt’s media empire HQ obligatory without any stakes raised. It was at that point the Green Hornet felt more like a theme ride than justice.

Wasted talents of a solid supporting cast and a visionary director rate the Green Hornet as a beer on tap that is drinkable but doesn’t quench my thirst for something fun.



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